The SINISTER SIX (USA)

OUTTA SIGHT!
-cd
1993 (Empty)


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"From the great Northwest's dark side comes Sinister Six. They play hard, bluesy Garage Rock with no punches pulled. If you know anything about Seattle's underground, you know of its love of garage music and the legendary bands it's spawned (Night Kings, Fallouts, etc...)." - Empty Records


"James Burdyshaw (aka Brother James) was already a legend in the Seattle music scene by the time the Sinister Six got underway in 1992. He had been involved with the mid-'80s trio 64 Spiders, the late-'80s rock group Catbutt with members of the U-Men and Girl Trouble, as well as the short-lived, early-'90s garage outfit Yummy. Burdyshaw founded the Sinister Six with vocalist Doug White, bassist Mark Ferkingstad, and drummer Erik Hildahl. Together the new quartet found themselves under the influence of various garage band luminaries -- the most mentionable being the Sonics, who'd preceded the Sinister Six by three decades on the Northwest scene." - Stephen Howell


"The band is a veritable force of nature on the debut Outta Sight (Empty, 1993). Singer Doug White skins cats with a psychotic grin in I Hate You and Out Of My Way and boasts the howl of a wolfman in Psycho Train and Pain In My Head, songs that rarely deserve to be called "music" but that serve a high-octane dose of vibrations. Guitarist James Burdyshaw's solos are heroically repugnant: having vividissected the voodoobilly I Don't Know and stabbed to death the garage blues Backwards Funny Car, his guitar launches into the glorious distorted riff of Kill You Tonight, thereby sealing one of the few Seattle albums that deserves the title of "masterpiece"." - Piero Scaruffi


Tracklist:
Kill You Tonight
Do You Understand
I Hate You
Psycho Train
Go Away
I Don't Know
Outta Sight!
Mother Joseph
She Starts My Motor
Out Of My Way
Black Berry Brandy
Backwards Funny Car
Whirlwind


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Die LOWLANDER (Germany)

MUMMIEN, MONSTREN, HANSEATEN
-cd
1997? (Crauts Recordings)



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"The Morlocks are dead, but Die Lowlander are their sons and are alive !!! I love them ! - Sylvain


"This is a fist directly in your fucking face. ULTRA hot german far out garage TRASH!!! With a brilliant cover of LIGHTENING BEAT MAN's "Hurt Me" and a PRETTY THINGS styled "I Got My Mojo Workin' "..." - Subterranean.org


"Holy primitive wildness! Während auf der ganzen Welt die Mummies verehrt werden, kennt kaum jemand die um Welten besseren Lowlanders. Eine Fuzzgitarre dröhnt dir den Kopf voll, irgendwo ein Scheppern als Schlagzeug und darüber ein verzerrtes, verlangendes Schreien geschlagen zu werden, das ist "Hurt me". "Gotta go" dann im geliebten uptempo Trash-Rocknroll-Stil schlicht eine Wucht. Und "I got my mojo working": Englischer 60's R&B so aufgedreht dass selbst Teengenerate Mühe hätten dazu nur schon zu Lip-Synchen. Ein Party-Smasher der bestimmt in jedem noch so gediegenen Club ein Bild der Zerstörung hinterlässt!" - Mephisto

"Holy primitive wildness! While in the whole world the Mummies are admired, someone hardly knows the Lowlanders better around worlds. A Fuzzgitarre roars to you the head fully, somewhere a Scheppern as Schlagzeug and over it a distorted requiring crying to be struck that is “Hurt ME”. “Gotta go” then in the loved uptempo Trash Rocknroll style simply a force. And “I got my mojo working”: English 60 ' s R&B so untwisted that even the gene rate trouble it would have in addition only already to Lip Synchen. A party Smasher certainly in each still so gediegenen club the picture of the destruction leaves!" - Transgoogled from German


The Band:
Christian Lowfeld, vox
Boris Lowzovic, buzzz
Guilo Mueller, drrrms
Lutz Langelow, grrrtar
Lowland, sax
Malte, orrrgan



Tracklist:
01 - Gimme that ( Live)
02 - Crisis
03 - In my corner
04 - Gimme that
05 - Dr.Feelgood
06 - Gentlemen prefer blondes
07 - Standing on the corner
08 - Roadrunner
09 - Goin' home
10 - Pretty quick
11 - Strychnine
12 - Bullets over Bremen
13 - Reiß dich zusammen
14 - Melanie
15 - Glory days
16 - Boris
17 - Never had a feeling before
18 - Wild baby low
19 - You gonna miss me
20 - Like no other man
21 - Girl in the pines
22 - News for you
23 - Now it's you I need
24 - Hangin' on
25 - Hurt me
26 - Low-man - Strychnine
27 - Hard lovin' man
28 - Good lookin'
29 - Stop it, baby
30 - I got my mojo workin'


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BUBBLE (USA)

CHAPTER 7
-CDEP
2003 (BasementBoy)





"The cutesy name might imply a more sugary pop sound, but make no mistake: When Bubble starts blowin' up onstage, what you get is as gritty as it is pretty. Led by hubby-and-wife musicians Share (vocals and guitar) and Bam (drums), the band writes irresistibly tough and trashy tunes enhanced by the pink-haired singer's smoldering rasp (which goes from sounding like Joan Jett to Janis Joplin to Wendy O to Rod Stewart)." - Lina Lecaro

"I'm addicted to BUBBLE, and I invite you to join me right now." - Laurent


" Share, Bam, Luke and Brian are Bubble. Guitar, drums, bass and another guitar are Bubble's machines. One of LA's best bands promised a lot of new stuff from new CD, Chapter 7, at this performance. That they did...Strong clear hard guitars and drums. Sharp hooks and spit-out lyrics with edge and anger. Basics and fundamentals. Integrity and credentials. Dedication and delivery. (The new governor should be this good.) Textures and waa waa pedals. A nice crowd of friends, fans and peers packed in to the Dragonfly for an all too short set, barely a half hour." - MakeaStar.com


"Combining disgustingly hooky melodies, raspy vocals, loud guitars and punk attitudes, Bubble went from being an exciting unpredictable group to becoming brash, alterna/pop/punk leaders at the forefront of the new "glitter" scene." - FiveMilesHigh*



"4 killer rock'n'roll tracks, yeah! there's a few rock'n'roll bands left in the US and BUBBLE is among them, there's no doubt about that. There's been some changes in the line-up since the first album (which is sold-out now) but it didn't have a bad influence on the music. The first song 'I Hurt Myself' directly puts the listener in the atmosphere of this CD EP and those who already know the band will recognize the BUBBLE touch with the first guitar chords.If you're not familiar with the band yet, I can say that those songs are in the punky glam pop rock'n'roll vein. my favourite ones are "I Hurt Myself" and "Love Stains" but "Deadender" and "Kiss Or Kill" (which is more melodic) are good too. Well, you should get this as soon as possible!" - Laurent

Share Ross - Vocals, Guitar and Keyboards
Brian Wong - Bass and Vocals
Bam - Drums and Vocals
Luke Bossendorfer - Guitar and Vocals

TRACKLIST:
1. I Hurt Myself
2. Deadender
3. Kiss Or Kill
4. Love Stains


DOWNLOAD (192k, 13 Mb)

The VILETONES (Canada)

A TASTE OF HONEY
-CD
1996 (Other People's Music)


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"one of the most important punk bands of all time" - Lester Bangs


"Way back in the Spring of '77, in a mere two hours (utilizing a mere two-track recorder!), four guys from far-off Toronto more or less set the tone for all that was to become - albeit all-too-briefly - the phenomenon known as (N.American) punk rock.

Sure, them Ramones were already inching towards the bottom of the Billboard charts, and such pretenders-to-the-gutter as the Dead Boys and Dickies were busy tightening their Levis and chopping up their Bowie shags. But The Viletones, propelled by the fierce six strings of guitarist Freddy Pompeii and the anything-Iggy-can-cut-I-can-cut-deeper antics of vocalist Steven "Nazi Dog" Leckie, had by early 1977 already defiantly distilled their Pistol-y attack in the bars and college basements of Southern Ontario, Canada.

Fortunately for us and, yes I suppose history's sake, the 'tones had the foresight to one afternoon record their entire repertoire and its release now, two whole decades later, not only proves this band to be one of the few genuine practitioners of p-rock at the time (before the neutered pap of the Costellos and Cars took over), but demonstrates just how positively trite modern-day interpreters of this genre really, really are. To sum up then, this disc's one history lesson you certainly can - and should - slam away to. Have fun!" - Gary "Pig" Gold

Viletones
Steven Leckie: vocals
Freddy Pompeii: guitars
Chris Haight: bass
Motor X: drums

post produced by :
Peter Moore and Chris Spedding


Tracklist:
Never Feel Sad
I Hate You-Without You
Just For You
Dog Style
Screamin' Fist
I Don't Care
Little Girl
Possibilities
Danger Boy
Rebel
C.O.N.T.R.O.L.
Richard Speck
Swastika Girl
Rather Be With Me
Does She Jump
KGB
Won't You Let Me
Bonus Track


Download (192 Kbs, 65 MB)

The ROCKY HORROR SHOW (UK) - Original London Cast

THE ROCKY HORROR SHOW
-LP
1973 (UKAL 1006)





".....The album that started it all.....
Although TRHS has become a huge pop culture phenomenon today, back in 1973, the original production was a very simple show put on in a very small, intimate theatre. Since there wasn't much of a budget to speak of, very few props and special effects were used (unlike most of the official productions staged by Rocky Horror, Ltd. today). The fact that the first production of TRHS was such a low-budget, experimental piece of musical theatre MUST be considered when listening to the Original London Cast album for the first time.

The album is very different in that it was actually recorded in a day (and you can tell.) The musical arrangements and the orchestrations sound very amateurish, but that's how the music was originally written. Plus, it was recorded back when the show had only been running a short while. This recording is really the only official release of the score as it was originally performed.

Technically speaking, this album leaves a lot to be desired. Compared to the professionally produced Original Roxy Cast album it sounds like a demo recording...

The great thing about this album is the nostalgic value, it's the VERY FIRST production, and the fact that five of the members from this ensemble went on to do TRHPS makes it more appealing...

Another interesting note is that when this album was released in 1973 on UK/King Of England Records, it had a few engineering flaws in the first pressing. The errors were fixed with a bit of re-mixing, and the album was re-issued a short time later. ALL versions of the Original London Cast Album are the re-mixed version EXCEPT for the vinyl UK/King Of England release (UKAL 1006).


***Here are the differences in the 2 versions of the Original London Cast album:

# On the first pressing (UKAL 1006), 'The Time Warp' is mixed very poorly. During the chorus, the voices are mixed unevenly, and all you can hear is Richard O'Brien's voice. This make the song sound like a Riff solo. (Some Ritz junkies may argue that this makes this version superior...) The REMIXED version (all other releases) features an evenly mixed chorus in which you can hear all the right performers.

# On the first pressing, there's a small flaw in 'The Sword Of Damocles'..... in the beginning of the song when Rocky is being created and the music starts, Rocky sounds like he lets out a belch to start out the song. In the REMIXED version, the flaw has been fixed, and the song starts fine.

# On the first pressing, 'Hot Patootie (Bless My Soul)' is a few seconds longer, and the song ends abruptly with Eddie's death. In the REMIXED version, the song is shorter, and it ends in a fade. (Why they remixed this is beyond me.)

Remember that ALL versions of this album are the re-mixed version except for the original vinyl UKAL 1006 release. This first pressing is a bit difficult to find, but the differences in the two versions are few and far apart that it would probably only be of value to the extreme die-hard collectors." - sanityfortoday.com


CAST:
Narrator: Jonathon Adams
Frank-N-Furter: Tim Curry
Riff-Raff: Richard O'Brien
Brad Majors: Christopher Malcolm
Janet Weiss: Belinda Sinclair
Rocky Horror: Rayner Bourton
Usherette/Magenta: Patricia Quinn
Columbia: Little Nell
Eddie/Dr. Scott: Paddy O'Hagan

MUSICIANS
Richard Hartley: piano and organ
Count Ian Blair: guitar, electric and acoustic
Dennis Cowan: bass guitar
Martin Fitzgibbon: drums
Phil Kenzie: sax


TRACKLIST:
01 Science Fiction Double Feature
02 Dammit Janet
03 Over at the Frankenstein Place
04 Sweet Transvestite
05 The Time Warp
06 Sword of Damocles
07 Hot Patootie (Bless My Soul)
08 Touch-A-Touch-A-Touch-A-Touch Me
09 Once in a While
10 Rose Tint My World
11 I'm Going Home
12 Superheroes
13 Science Fiction Double Feature (Reprise)

DOWNLOAD (256k, 68 Mb)

OUTSIDEINSIDE (USA)

SIX POINT SIX
-CD
1994 (Hell Yeah)


Re-Up!


"Lee Joseph used to be the guy with the weird 'bowl-haircut in the Yard Trauma and he more recently played in the Outsideinside. He also owns the excellent Dionysus, Hell Yeah and Bacchus record labels that have gained a lot of respect in the garage and surf community throughout the years and more blabla..." - Dan Podakin

Cosmik: Why did you start Hell Yeah Records?

LJ: When the "garage" bands dried up and there was a lot of cool non-60s music happening in the 80s, we released some records that...fans of Dionysus didn't dig. At the same time, I'm sure that a lot of others would have liked the records but..they couldn't get past the name Dionysus cause they expected a 60s sound. Stuff like Kings Of Oblivion,Trash Can School, Dana Lynn, Lance Kaufman, Axel Grinders, later Yard Trauma... So, we decided to get a new identity for the release of these kinds of records. - Cosmik Debris Feb/96

"Meandering between feedback-heavy punk raves to near distortion-free pop gems and then finally descending into a hellish storm of electronic squeals, OI have what it takes to satisfy.

I've liked everything I've heard from the folk, and well, this is the most coherent bunch of songs they've committed to disc yet. I can hear a real band sound developing. While this does limit their scope a bit, it's probably for the best.

And don't worry about a lack of experimentation. Just flick on the title track and find yourself lost.

Perhaps the slightest bit mellower, but still light years from being mistaken for Green Day. Outsideinside is still foundering in the gutter, and I couldn't be more pleased. "
-reviewed in Aiding and Abetting issue #52, 4/15/94

Vocals, Lead and Rhythm Guitar: Lee Joseph
Lead and Rhythm Guitar: Eric Arn
Bass: Melanie Bruck
Drums and Percussion: Allen Baxendale
Produced by Geza X., Lee Joseph, and Billy Bizeau

Tracklist
Sky's On Fyre
Big Hero, Big Zero
Two Weeks In Twelve Hours
Crimson Witch
Goldstar
Baklava
Desire
Non Sequitur
Chaos
Wet Majik Sex Dream
You Make Me Laugh, You Make Me Die
Truth, The
Sea, The
Six Point Six


Download (192 kbs, 57 MB)

The BUGHOUSE FIVE (Canada)

DARK DAYS PASSING
-CD
1996 (East Side Records)





"Coming from a world where Gene Vincent and Leonard Cohen share the same brain... Bughouse 5 produces some of the most melancholy Rockabilly to ever stay at home, smash up the furniture, and drink itself to sleep every night." - eastvanmungo


"BUGHOUSE FIVE was formed in September, 1991 by the members of several of Vancouver's most notorious bands; The Nervous Fellas, The Rocking Edsels and Art Bergman, to name a few.

Fronted by the charismatic Butch "Big Boy" Murphy and backed up by the rock solid drumming of Taylor Little(Furies), the band quickly earned a name as one of the hardest working, most entertaining rockabilly bands around.

Their two early releases on East Side Records, Solid and Dark Days Passing, gave evidence to the strong songwriting and cool musicianship that are Bughouse Five's hallmark to this day." - Dense Milt


"Far from a mere rockabilly band, Vancouver's Bughouse Five stretch out in all directions on their first CD. Guitarist Russel Schindel's Peter Green-like slinky blues guitar, clipped country staccatos and pure pop strumming are excellent throughout, and he particularly shines on the opening cut "Move." Not that the rest of the band is to be ignored -- far from it. Upright bassist Ron Hayward is known all over town for his hard-hitting Railway Club jam sessions and he smokes here as ever; drummer Taylor Little has played with almost everyone of note in town, for good reason; and singer Butch Murphy holds down the ruckus with as soulful a set of pipes as Eddie Cochran.

This band kicks up some serious fun and furious frenetic boppin' on cuts like "Really Ugly," and covers like the classic "Tell Me Mama" and Dave Alvin's "I Don't Want To." Or they play sensitive country blues numbers, like Hayward's great "601 South Delta Blues." If they're chasing down a single it would be hard to best Schindel's "Old Tom Mullen," one of those catchy folk ballad rockers that has a timeless quality about it.

It's a hard road to travel down these days, being a rockabilly-influenced country rock band in the nineties, but genuine emotion should stand for something, and the Bughouse Five have plenty." - Stuart Derdeyn

BUTCH MURPHY - vocals, harmonica
RUSSELL SCHINDEL - guitars, backing vocals
RONNIE HAYWARD - Upright Bass
TAYLOR LITTLE - Drums, percussion

TRACKLIST:
01 Move
02 Really Ugly
03 Soothing Green
04 Leaving
05 Old Tom Mullen
06 Linger On
07 Tell Me Mama
08 Dark Days Passing
09 Colour Bearer
10 Truth
11 601 South Delta Blues
12 Sweet Virginia
13 I Don't Want To

DOWNLOAD (192k, 58 Mb)

The MUMMIES (USA)

RUNNIN' ON EMPTY Vol.1
-LP
1996 (Estrus)


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"Garage rock played by psychos who wore nothing but mummy bandage over their naked bodies using instruments who didn't cost more than their clothes and sucking everything from The Sonics. THIS IS ROCK AND ROLL!!" - danelectro


"This is a classic album." - Dirk Ungawa



"Say dig you punkniks this, and lend me your ears. For ‘tis i that have been given the unfortunate task of swaying your better Judgement. To hip you to this swinging group of recking no counts, The Mummies! In the record bizz-nizz that’s got promises no more of blueswailing this, or wilderness that, I say HAH! Dig that this hairy group of hellish Nothings have pounded a bloody trail from BumF#ck Egypt, to San Francisco California, using outta this world Teenage Disaster Hell sounds emitted from the Cheapest of Thrift store instruments. Dig that in which every Mummies show was required by law to be a hard-hat wearing area, and the site condemned immediately thereafter. Dig that daring humans to withstand the onslaught and stench of the Uncooked, Gut-churning throw-up noise those masters of sloppedness call Rythem and Blues (hah!) either run screaming (like a regular L7) , or let out the honest to Gawd Skull-Skorching ugliness burn into there souls. so dig this you wiggy ones, this flaming chunk o’ wax, convulsing with sounds if 4 Ball-Blasting Mofos, and 3 times as many screw ups. Yeah, 3 times as many. It just wouldn’t be the Mummies any other way. So What have you got to say about that, Boys? “ If you Dont like What you hear, BLOW IT OUT YOUR ASS!!!” The Mummies rule of Thumb: “ When in doubt............Punk it out!!!!” ---Yeah!"- prof. Pap Amen-Kortex March 1990


"The first installment of yet another post-mortem batch of Mummies gems culled from the corroded corners of the wrapped ones' cavernous crapper this LP unearths the very first recordings attempted by the band recorded between the last months of 1988 and the first part of 1989 and a complete, uncut and uncensored Mummies show recorded live at the Chameleon 9/5/91 which is perhaps the best fidelity you're likely to hear from a recorded Mummies show, bootlegs be damned." - Estrus

Trent Ruane: organ
Russell Quan: drums
Maz Kattuah: bass
Larry Winther: guitar

side one are all previously unreleased recordings:
side two is live at the Chameleon 9/5/91:

Tracklist:
1. One Potato, Two Potato
2. The House On The Hill
3. Die!
4. (They Call Me) Willie The Wild One
5. The Mummies' Theme
6. Shit
7. The Double Axe
8. Come On Up (Felix Cavaliere)
9. What A Way To Die
10. The Fly
11. Uncontrollable Urge (Devo)
12. Justine (Don Harris, Dewey Terry)
13. (My Love Is) Stronger Than Dirt
14. Skinny Minnie (B. Haley, A. "Rusty" Keefer, C. Cafra, M. Gabier)
15. One Potato, Two Potato

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ROY LONEY and The A-BONES (USA)

BOY MEETS BONE
-12" EP
1993 (Norton)

Re-Up!


Frantic 4-pack howled by fab Flamin' Groovie shouter Roy, backed by beer n' potato chip fueled A-Bones! Recorded in San Francisco garage studio! Mighty, mighty all righty!

12" EP version of Roy/Bones single on hideous barfed up soda color wax/no cover/stamped n' numbered labels! Only 99 pressed n' sold at 1993 Garage Shock Fest!


"Norton label honchos and acute garage-slop historians, the husband-and-wife team of Billy Miller (vocals) and Miriam Linna (drums) kept the passionate torch of grimy, booze-soaked dance music burning, fueled by a fanatical homage to their forgotten heroes of the '50s and '60s and grass-roots perseverance. The A-Bones deliberately and sloppily executed their own original brand of spirited, crud-encrusted trash-rock with maniacal fury, ultimately excavating the buried remains of stone-age rock 'n' roll and creating a Frankenstein monster of wildly unmatched proportions." -Ron Bally, Tucson Weekly

"Besides being able to switch from rockabilly to garage to rhythm and blues with seemingly relative ease, the A-Bones were pretty good at getting various rockin' legends to record with 'em...
It was a particular pleasure hearing Loney and the A-Bones tackle the PEBBLES "chestnut" "Stop It Baby" again since it was not only such a good song to begin with, but because hearing Loney sing it would have only been a mad fever dream to most garage band aficionados back in 1978 and you would have to leave it to B&M to have pulled off such a wild stunt..." -Chris

Tracklist:
Side One:
Stop It Baby
You Know What You Can Do
Side Two:
Jump Into The River
Smoke Rings


Roy Loney - lead vocals
Bruce Bennett - guitar
Marcus The Carcass - bass
Lars Espensen - tenor sax
Miriam Linna - drums
Billy Miller - backing vocals
Lance Kaufman - piano on "Jump Into The River"
Produced by Roy & The A-Bones
Recorded May 18, 1992 at Mr. Toad's, San Francisco
Mixed at Coyote Studios, Brooklyn, N.Y.

Also released as a 7-inch with this cover:





















Download (192 kbs, 14 Mb)

TUNES FROM THE CRYPT (Canada) - V/A

CRYPTIC TYMES presents TUNES FROM THE CRYPT
-CS
1990 (Cryptic Tymes)


Re-Up!


"Alan Wright wrote about rock'n'roll music for a wide variety of zines and magazines starting in the mid-'80s, including What Wave, Feline Frenzy, Maximum Rock 'N' Roll, Flipside, Between The Lines, The Rocket, The Stranger, Brutarian, 10 Things Jesus Wants You To Know, The BOB, Ugly Things, Misty Lane and Hit List. He published his first zine What Now? in 1987 and later produced Cryptic Tymes and Do The Pop!. His head was a library of rock and punk information and he helped coordinate a few '60s garage and '70s punk band reissues and anthologies. Originally from Canada, he and his wife Lisa moved to Seattle in 1993, where he wrote, published zines, played in bands, and worked for the Lifelong AIDS Alliance. He was a drummer and played for a bunch of bands, including The 14th Wray, Thee Upper Crust, The Primate 5, The Castros, The Infernal Three, The Reckless Bastards, and finally The Earaches." - Zine Wiki


"Alan was a freak. A fucking beautiful freak. There was no end to his enthusiasm for music. The guy couldn’t keep track of his glasses for five minutes but could tell you who played bass on the mono British b-side of a Count Five single. He couldn’t load gear for shit, but he would tirelessly promote the band. He sent out over 400 copies of our first demos and I swear it was copy #401 that got us signed. Whatever band he played in he put his entire heart into it. Alan didn’t have perfect meter but he had a hunger that made up for it. If you made even the most casual reference to a band he would immediately inundate you with tapes, CDRs, videos, ‘zine articles or whatever about that band. He was a walking encyclopedia and it was usually hard to shut him up just because he’d be so into it. Fuck, when I think about it, most of what I’ve learned about the history of rock and roll in the past seven years has been because of Alan. He turned me onto so many great bands, both old and new, which in turn influenced the music that we made together. But not just me, Alan would talk about music to anyone who would listen. He just wanted to turn on the world to all the great rock and roll out there." - August




Tracklist:
01 - Marshmallow Overcoat-Cinderella
02 - Smugglers-5-4-3-2-1
03 - 14th Wray-The man who lives next door
04 - Beatpack-My baby left me
05 - Cattle-Little black egg (Live)
06 - Prehistoric Cave Strokers-Cave bangin' (Live)
07 - Silent Mercenaries-I wanna be an accountant
08 - Captain Crunch-You don't exist in transit
09 - Mourning After-Pauline (Live)
10 - Jig Saw Seen-8 Lancashire lads
11 - Misc.'S'-Cream soda kill! kill!
12 - Stand-Losing my frustrations
13 - Sanity Assasins-Once upon a time
14 - Screaming Daisies-Caught within your game
15 - Nightstalkers-Too many images
16 - 1313 Mockingbird Lane-Pretty boy (Live)
17 - Fish Karma-I'm so lonesome, I could cry
18 - Big Scary Daddies-Shrimp aren't vegetables
19 - Deja Voodoo-Swamp of love (Live)
20 - Al Perry-Dancing bear
21 - Hurtin' Kind-Look inside


Download (192 k, 82 Mb)